#Ps i love you serial
Aly Caviness, The Phantom of the Operaįalling just this short of earning the title Gerry: Portrait of a Serial Killer, The Bounty Hunter is a disarming study of Stockholm Syndrome and an opportunity for Butler to scale perverse depths. Butler speaks only 14 of his lines, sings the rest and does some truly formidable vocal somersaults to disguise his natural Scottish accent. Dave Gutierrez, 300īutler’s performance of the Phantom is … something, to say the least. Instead we have Butler, a decent guy playing a Greek king with a Scottish accent and a silly beard who is just bad enough to make the whole thing laughable. Here are a few of the insights we had into Gerry B’s career:īutler’s character sends even the buttoned-up women who browse the Virgin Megastore Christian hip-hop section into faint-headed swoons.
I read through our old articles to see if I could put my finger on it. Why does it feel like Butler is everywhere? Why does it feel like he’s guiding me toward something? He seems to show up in every new casting announcement, omniscient. In the year since our initial series, something has been nagging at me. He told me there is nothing more to say about Gerard Butler. I was really disappointed when Nick Rogers refused to revive The Butler Did It, our actor-centric series from 2019. We bring you (once more … with feeling ) … The Butler Did It.
That’s but a small sampling of this Scottish export’s quarter-century run - whose body of work was highlighted biweekly on this site in April 2019 in a series from which three essays (including a secon d opinion on Den of Thieves) also entered our all-time top 20. Instinct tells us otherwise: People really love Gerard Butler.ĭisfigured catacomb vocalist. SEO tells us the piece’s popularity is thanks to its reference of one character’s inscrutable “Peckerwood” tattoo. No one piece has persisted as powerfully as our 2018 review of Den of Thieves, which we called an “unswervingly painful” waste of 140 minutes. Since 2017, Midwest Film Journal has prided itself on delivering thoughtful commentary on current and classic cinema.
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